Sentence examples for return to terrain from inspiring English sources

Moreover, a return to terrain stability assessments based on the identification, mapping, and geomorphic interpretation of site-specific hazards, particularly from an operational perspective in advance of harvesting is recommended.

In 1998, our reviewer, A. O. Scott, found this return to the terrain of "Bright Lights, Big City" to be a mixed bag.

The result, "Ordinary Witnesses," performed at New York Live Arts on Tuesday and Wednesday, seems at first a return to the terrain of Mr. Ouramdane's very remarkable solo, "Far...," which he performed in New York in 2008.

The 10 stories in Munro's latest collection return to familiar terrain — they're rooted mostly in Ontario, mostly in the lives of women — while broadening the author's exploratory sensibilities.

He started as an independent filmmaker and was ignored; he went to Hollywood and was ignored; and he returned to independent filmmaking, in 2012, with "Red Hook Summer," and was ignored again, though that return — which was also a cinematic return to his Brooklyn terrain — is among his best, most visionary works.

"To rush to war without seriously imagining all its consequences, including its aftermath, is not realism but a terrible hubris".He returns to the terrain of "Embracing Defeat", marvelling at how the vicious racial hatreds of the Pacific war dissipated so quickly, as though "turned off like a spigot".

At the beginning of The Rebel, Camus writes as a philosopher again, returning to the terrain of argument by explaining what absurdist reasoning entails.

Solondz returns to  the terrain of that film with his new movie, "Wiener-Dog," which features the title character of "Dollhouse" all grown up.

But the actors went the extra mile for the movie, shooting in southern Australian towns that time forgot to serve the vision of Michod, the indie darling who returned to difficult terrain after his debut crime drama "Animal Kingdom," also starring Pearce, garnered him Hollywood attention.

Rival studios are giving the date a wide berth, which opens a window of opportunity for modest, home-grown indie flicks London Road (adapted from the National Theatre stage production) and a nationwide roll-out for Queen and Country (John Boorman's belated return to the semi-autobiographical terrain of 1987's Hope and Glory).

Here, though, we return to one of Crace's terrains of fable, as clear and strange as a dream – or a nightmare.