Sentence examples for responsive dialogue from inspiring English sources

Kristina Rolin similarly points to the epistemic need for social and cultural norms within scientific communities that promote inclusive and responsive dialogue, and worries about the distorting effects on the credibility of women scientists operating within cultures of professional interaction that conflate masculine styles of presentation with competence (Rolin 2002).

Study participants expected incident disclosure to be a patient centred, respectful, and responsive dialogue to promote healing, learning, and safety.

"We tend categorically to assume that if the problem is responsive to psychotherapeutic dialogue, it is a problem you should be able to overcome with simple rigor, while a problem responsive to the ingestion of chemicals is not your fault and requires no rigor of you.

Ms. Parker described Ms. Peet as thoughtfully responsive about rewrites to dialogue, and not territorial about the character she once imagined playing.

Only by reaching a national dialogue on responsive and long-term policies that are grounded in human security can the country go beyond the view that migration and development policies are a catch-all panacea to the problems of migrant protection and long-term economic development in the homeland.

Access to a mixed economy of matched funding (money, people's time, infrastructure contributions), combined with the NIHR cash funds meant that Themes were able to be responsive to on-going dialogue, and could utilise these different resources to undertake projects within the programme.

Mindfulness also teaches us to be better listeners by creating dialogues that are responsive rather than reactive.

Mr. Dickey was more responsive in his interactions, creating a dialogue with both bass and piano.

(Chinen) MARC CARY (Friday and Saturday) Mr. Cary, a percussive but often lyrical pianist, dialogues here with a responsive bassist, Sameer Gupta.

This allows musical agent systems to construct output in terms of a communicative dialogue, and should enable more responsive, intelligent participation from these virtual musicians.

Here, there was much more of a direct dialogue; the orchestra was much more responsive to what the pianist was doing.