This is the kind of art the Turner prize ought to be showing - it would create a row not about the tedious issue of conceptual art good or bad, but about colonialism, capitalism, racism, the responsibilities of art and the evil of banality.
Despite such drawbacks, many reports testify to successes in shifting PHC responsibilities (especially the responsibilities of ART treatment, care and support) not only from doctors to nurses, but also to CHWs [ 70- 73].
Is that no longer the responsibility of art?
At the same time, occasional episodes suggest that a belief in the power and responsibility of art to make trouble has not been completely squashed by consumerism.
The assumption that anything placed in a public space on a plinth with a label fulfils the social responsibility of art seems too easy now.
It affirms that they have managed separate but equal careers while sharing convictions about the social responsibility of art, and also common interests, like the reanimation of traditional or archaic imagery with political consciousness.
But if the great actors of the day, like Kim Stanley, Marlon Brando, Montgomery Clift, and Monroe — who was unforgettable in her last screen performance, in the 1961 film "The Misfits," written by Miller — had put the social responsibility of art first, would they have made the mistakes and the discoveries that make them transcendent poets?
Al-Barghouti's tastes run to allegorical, epic, and narrative poetry; he believes that the responsibility of art is to help people reimagine the very order of the world, envisioning, for the future, "a more beautiful form of government, a more beautiful form of man-woman relationship, a more beautiful relationship between humans and nature," he told me.
One of the responsibilities of any art form "is that it absolutely stops repeating patterns," Mr. McGregor said after a long day in the studio, adding that ballet needed to honor other arts and contemporary dance as much as it venerated its past.
ʿAbd al-Muʾmin fully accepted the responsibilities of an art patron, but remembering the puritanical austerity of Ibn Tūmart, he sometimes imposed on the mosques built for him by Andalusian artisans a plainness that became more precious than the prevailing elaborate ornamentation.
This chapter elaborates the responsibilities of the art department, animation and the producer's role as an architect of illusion.
