In calculating representational priority, representations are evaluated with two indicators: ambiguity, which estimates the risk of recognition failure for the target in a region of interest (ROI), and stationarity, which indicates a steadiness of the ambiguity over time.
In a symbolic representational scheme, all representations are composed out of symbolic atoms (like words in a language).
He is attempting to isolate representational means from representation itself, without reducing the complexity of the visual system.
Given that the idea that art should exist as a primarily functional, representational form of representation — the idea, simply, that artworks should reflect reality in as real a way as possible — was shunted into a ditch in about 1950, it's not surprising that our galleries and museums don't drip with portaits of gurning ravers.
The client robot evaluates the ambiguity and stationarity and selects unique and stable representations (Calculating Representational Priority).
Representations are representational acts, never the "objects with constant properties" propounded by adherents of a so-called theory of substantiality (Substantialitätstheorie) (1911a: 1911a
It is a traditional assumption among realists about mental representations that representational states come in two basic varieties (cf. Boghossian 1995).
Now while Wundt is forced to speak of representations and representational acts as distinct, he is nevertheless clear that they are merely different aspects of a single flowing process.
In the above example, the m-series will be "observed" "like an object" by the P-series (SW VI: 144).[67] It is just this unbalanced relation between representations (or representational structures and elements) that constitutes the phenomenon of self-perception, i.e., apperception.
First, there is the representation (or representational vehicle) that has the content.
