Sentence examples for representational mode from inspiring English sources

Bogost argues that videogames, thanks to their basic representational mode of procedurality (rule-based representations and interactions), open a new domain for persuasion; they realize a new form of rhetoric.

Furthermore, mediation analysis showed that the effect of representational mode was mediated by students' spatial representations of learning content.

In Beauty Is a Wound, the supernatural exists alongside realist historical accounts and sociopolitical critique, presented as an equally valid representational mode.

They could paint, that is to say, in the high-calorie, full-fleshed representational mode that has its roots in 19th-century Russia.

This show concentrates on his figurative period and demonstrates that he was as compelling a painter in a representational mode as in the abstract work to which he later returned.

So he decided to thrust a gleaming Cross into the very face of the Devil in the form of a Gallery of Modern Art at 2 Columbus Circle, a museum showing the world modernists who worked in the representational mode, from the Pre-Raphaelites to Gauguin to the dazzling and, in his view, spiritually uplifting Salvador Dali.

One of the best (and most esteemed by Greenberg) was Jules Olitski, who at present alternates between abstract and representational modes.

At the same time, Myers and de Nagy took on artists like Fairfield Porter, Larry Rivers and Jane Freilicher, who were injecting new painterly excitement into traditional representational modes.

I show that representational modes distinctly affect and are affected by such factors as prospection, interpersonal communication, moral judgment, self-regulation, and emotional experiences.

Beyond representational modes of performance be it mainstream or historically informed performance practices Logic of Experimentation creates an ontological, methodological and ethical space for experimental performance practices, arguing for a new mode of performance.

Indeed, with delicate irony, the cover illustration is a photograph of the classic gesture of the Western artist interested in representational modes, who stretches out his hand, holding his pencil, to measure the relative size of the objects in the landscape he is observing.