The phrase "representational form" is correct and usable in written English.
It can be used when discussing a specific way of depicting or presenting information, ideas, or concepts.
Example: "The artist chose a representational form to convey the emotions of the subject in her painting."
Alternatives: "depictive format" or "illustrative style."
Given that the idea that art should exist as a primarily functional, representational form of representation — the idea, simply, that artworks should reflect reality in as real a way as possible — was shunted into a ditch in about 1950, it's not surprising that our galleries and museums don't drip with portaits of gurning ravers.
Multisensor navigation data synthesis (MNDS) is the process of fusing outputs from inertial sensors with information from other sensors and information processing blocks into one representational form.
The whole thing ought to feel awkward and unnatural, like an abstract painting retouched to take on representational form, but in fact the synthesis seems like the most natural thing in the world.
There was a repeated sense of wonder: at the images being displayed and what they represented; at the technology and sheer human ingenuity involved in amassing the data and turning them into representational form.
Daniel C. Hallin, "Speaking of the President: Political Structure and Representational Form in U.S. and Italian Television News," in Hallin's We Keep America on Top of the World: Television Journalism and the Public Sphere (New York: Routledge, 1994), 113-32.
(Formerly R3202) Painting II: Extension of VIAR UN2100 This course explores the transition of representational form towards abstraction in the early 20th century (Cubism) with full consideration to recent movements such as geometric abstraction, organic abstraction, gestural abstraction, color field and pattern painting.
Nonunion representational forms: An organizational behavior perspective.
Tagliapietra, who had never worked in representational forms, had to be persuaded also.
Both these representational forms are not currently utilised within the commercial RAD tradition.
Since the Renaissance, European craftsmen fashioned the king, queen, bishop, knight, rook and pawn in representational forms.
Scolari vividly demonstrates the diversity of representational forms devised through the centuries, and shows how each one reveals something that is lacking in the others.
