Sentence examples for repetitive chorus from inspiring English sources

The repetitive chorus of The Coming Rain and the long organ chords of No Memory hint at Stereolab-like reverie.

Million Dollar Bash seems to be basically a semi-talking country blues, with a repetitive chorus that immediately strikes one as being very Buddy Holly-ish.

As his version of "Stand by Me" drew more and more of both cheers and boos, he kept repeating the song's already repetitive chorus.

Pause to listen to the thousands of geese honking in front of the waterside mansions, and wonder if Philip Glass did not possibly steal his composition "Koyaanisqatsi" from this repetitive chorus.

On "Gone" he balanced the finger-pointing verses with a repetitive chorus that sounded more playful than indignant, murmuring, "Gone, going/Gone, everything/Gone, give a damn/Gone be the birds if they don't want to sing/Gone people, all awkward with their things/Gone".

Elsewhere, though, they've come up with stuff such as Halo, a pallid rewrite of Rihanna's Umbrella - same icy synths, same drivetime rock dynamic, same repetitive chorus - which certainly raises some questions: is this any way for the queen of R&B to be carrying on?

The Wu-Tang style is sui generis, and seems especially so now, in the context of more popular hip-hop, which tends toward clean electronic sounds and simple, repetitive choruses.

(Although it is hard to believe it took three people to conceive the often repetitive choruses.) The young cast is certainly talented and likable, but the characters they portray have little more depth than the bouncy types on tween-oriented television shows.

K-pop performances like T-ara's "Roly Poly," Wonder Girls' "Nobody" and Super Junior's "Sorry Sorry" have repetitive choruses, often interspersed with English, and synchronized dance routines that have become such a fad in Asia that children in their classrooms, soldiers in their barracks and inmates in their prison yards imitate the dancing.

XCX deals in pugnacious electro-pop, all repetitive choruses, emphatic thwacks of the drum pad and the sort of crystalline synth arpeggios which mean that, when the fire alarm goes off, no one panics because they assume it's part of the show.

The last-mentioned can be determined according to a complex formula that takes into account such qualities as mystery (Raftery prefers second-tier songs–stay away from "Let it Be" and "Satisfaction," he pleads), diversity (avoid repetitive choruses) and absurdity (go for quirky, hummable songs over soul-searching lyrics).