Sentence examples for repetition performance from inspiring English sources

In Experiment 2, 56 participants practiced time estimation by simple repetition, performance feedback, or performance feedback and temporal subdivision.

The present study investigated the effect on nonword repetition performance of differences in efficiency of functioning of some part of the neural architecture mediating VSTM.

This study examined the effects of perceptual learning on nonword repetition performance of normal-hearing listeners who were exposed to severely degraded auditory conditions that were designed to simulate the auditory input of a cochlear implant.

Similarly, vocabulary knowledge can facilitate nonword repetition performance through top-down influence where the nonwords resemble real words or where the component phonotactic patterns of the real word can facilitate repetition performance.

But repetition performance in the Dutch-subtitles condition was worse than in the No-subtitles condition (βDutchSubtitles = −0.17, p<0.05).

In addition, impairments influence each other, i.e. impaired comprehension affects the repetition performance and vice versa.

We propose that variants in both loci combine to modulate nonword-repetition performance in language-impaired populations.

Finally, we investigated the effects of ATP2C2 and CMIP on nonword-repetition performance at the population level.

Taken together, these data indicate that ATP2C2 and CMIP do not modulate nonword-repetition performance across the entire population, nor, in isolation, do they cause a predisposition to SLI.

Although the absence of association in our population sample could reflect insufficient sample sizes or the insensitivity of psychometric tests to quantify variation beyond the lower extremes of the spectrum, it is obvious that the effects of ATP2C2 and CMIP upon nonword-repetition performance are particularly pertinent to individuals with language difficulties.

Scenes that seem to take place deep inside an airless crypt; dialogue that tattoos the walls with sinister repetitions; performances so tightly wound that the actors might be speaking with a shiv held between their ribs — the elements of David Mamet's style, in the previous seven films he has directed, have been cold, hollowly precise, and unresonant.