Sentence examples for remarkable choreography from inspiring English sources

Barefoot, they did an appealing mixture of ballet and expressionistic gesture that would not stand up as remarkable choreography were it not for the dancerly range of contrasts that Mr. Gaines gives them.

Helped by the remarkable choreography of Taro Alexander in enacting ball games -- it includes slam-dunking, pick-setting, behind-the-back passing, jump-shooting and shot-blocking (Mr. Alexander knows the importance of good defense) -- Mr. Carlisle places Joe, often on his living room couch as he watches the game on television, smack in the middle of the action.

This remarkable choreography is robust to most variations in the genetic makeup, environmental substratum, and nutritional history [ 4].

Award founder and philanthropist Phillip Keir said of the winning entry: "Body of Work by Atlanta Eke is a remarkable piece of choreography that moves between the body and images of the body; between the human and the machine.

It's regrettable that the freshness of delivery given to the ensemble works is withheld from the most remarkable piece of choreography in the program, Limón's 1942 "Chaconne," set to Bach's Partita No. 2 in D minor for unaccompanied violin.

Apart from the dancing, the sequence represents a remarkable piece of choreography, in which camera movement, shifting color and modulated spaces are matched so precisely to the music that it becomes almost impossible to tell where one element leaves off and another begins.

Fortunately, the sheer energy of Mr. Harris's choreography is remarkable and, given the urban setting, somewhat frightening.

The choreography is remarkable for its amalgam of cold formality and feral wildness, its subtly suspenseful timing, and the excellent cast made all of these elements crackle.

In that remarkable bit of novelistic choreography, I saw in Miller what her fans have always seen: a clever storyteller with a penchant for the unexpected and a talent for depicting the bizarre borderline acts, the unfortunate boundary crossings and the regrettable instances of excessive self-indulgence that can destroy a world in a blink.

Yet Mr. Bell's choreography hewed with remarkable fidelity to the shape of Messiaen's isolated gestures, the volatile dynamics and densities of the score.

Okajima (Tokihiko Okada), a salaryman at an insurance company, joins his colleagues as they stand in line to receive a cash bonus, and, in a remarkable set piece of ribald choreography, they slip off to the men's room one by one to sneak an anxious peek at their rewards.