Sentence examples for relentless image from inspiring English sources

Exact(2)

What role do social media, which encourage relentless image consciousness, play in our shopping choices?

These are the days of underwear as outerwear, X-rated fashion photography, devolving standards of modesty and privacy, and relentless image bombardment.

Similar(58)

The concerted attack on such charitable activity when undertaken by Muslims threatens to further alienate a generation of young people politicised by the relentless images of suffering from Syria and Gaza.

But I ask: how are we supposed to feel when violence, discrimination and a relentless negative public image is what we are faced with daily?

"I like to feel that I can define my fame and define my beauty for myself, which is why I am so vigilant and relentless about my image and my music.

With their unconventional female forms and relentless gazes, the image is a proto-Cubist version of erotica.

The obvious components here making Rowles's work difficult are that it begins in the middle of a sentence, employs what seems to be an ongoing run-on, cares little for obvious definition of character or plot, and instead generates its beautiful, frenetic feeling through the relentless melding of image, language, and sound.

Even there, where the setting — the sight lines between the town at large and the character's standpoint — is of dramatic significance, Guadagnino has no interest in showing a broad view of the location, because of his bland sensibility and flimsy directorial strategy, because of his relentless delivery of images that have the superficial charm of picture postcards.

The relentless sequence of images chart the sublimation of desire: cold beer becomes warm, champagne bubbles go flat, steaming coffee and hot tea become undrinkable.

The relentless production of images reflects the obsession with self-presentation that has made the explosion of social media such a significant development.

By Andy Young In "On Photography," which was published in 1977, Susan Sontag argued that because of the relentless proliferation of images individual scenes of human suffering seemed less real, less affecting, and somehow less awful.

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