Sentence examples for release blue from inspiring English sources

This week they release Blue & Lonesome, comprising cover versions of old blues deep cuts, mainly by Chicago artists (four by Little Walter and two by Howlin' Wolf).

Now, 21 years after its release, Blue Lines has been remastered and repackaged for a seemingly inexhaustible pop heritage market in both a regular and deluxe edition.

Orbison had struggled to get Monument to release Blue Bayou in 1963, as label boss Fred Foster reckoned the charts already had too many songs with "blue" in the title.

If the MPAA had stuck to its guns, there are three routes Weinstein could have taken: re-edit down to an R rating, reject the NC-17 and release Blue Valentine unrated, or appeal again.

On its release, Blue Lines felt like nothing else: only a surprisingly faithful cover of William DeVaughan's Be Thankful for What You've Got sounded as if it could have been released on Talkin' Loud or Acid Jazz, record labels that specialized in retro soul.

Ms Farrow, who is now married and living under a different name in Florida, was provoked into resurrecting her claims by the renewed feting of the filmmaker, notably with the lifetime achievement award bestowed by the Golden Globes last month and the three Oscar nominations for his latest release, Blue Jasmine starring Cate Blanchett.

She released "Blue" in 2011 and returns this year with "Out of My Mind".

"Spirit Fiction" is Coltrane's first record for Blue Note, the most legendary label in jazz and the company that in 1957 released "Blue Train," the classic that made John Coltrane's name as a bandleader.

Allen's last film was the comedy-drama Irrational Man starring Joaquin Phoenix and Jamie Blackley; in 2013, he released Blue Jasmine steering Cate Blanchett to Oscar glory when she picked up Best Actress.

The surfing solution was inspired by my viewing of the newly released "Blue Crush," which was recommended to me by our summer intern from Zuma Beach, Calif., who calls himself the Kahuna.

Take New Order, the English futurists who, after exploring the mega-clubs of early-nineteen-eighties New York, released "Blue Monday" and the seminal album "Power, Corruption & Lies," noodling with new kick-drum cadences and dollops of jostling Italo synthesizer.