Sentence examples for relations appearances from inspiring English sources

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Until 2011, he was the sole performer as Elmo in all his public relations appearances, making his schedule, as he called it, "crazy".

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'So far as I can see', he says, 'relations must depend upon terms, just as much as terms upon relations' (Appearance, p. 26).

Imagine how far we've come from those dark days in 2004, just a little over a year into the war in Iraq and parallel to President Bush's "Mission Accomplished" public relations appearance on the USS Lincoln.

Someone asked Beckham, who has missed half of the Galaxy's M.L.S. games the previous two seasons and the first 17 this year, if he might be spreading himself too thin — with commitments to different teams and public-relations appearances.

The BRAVO instruments are a set of separate instruments including the Short Form-36 (SF-36), the Multidimensional Body Self Relations Questionnaire Appearance Assessment (MBSRQ-AS), and the Breast Related Symptoms Questionnaire (BRSQ).

In one section of this treatise, which is reminiscent of Aristotle's Metaphysics IV, 5, Autrecourt addresses one of the central issues of metaphysics, namely the relation between appearance and reality.

The impact of tooth decay and trauma in front teeth in relation to appearance was very prominent: " "My daughter fell and her front tooth is kind of grey…when it falls out it may affect the next one.

More recently, there has been criticism of Mr. Klein's seemingly contradictory roles within News Corporation, both investigating wrongdoing inside the company and advising Mr. Murdoch on handling public relations and his appearances before the British Parliament.

"We all know that there are things we can't do to go back to how we were," said Cathy Clegg, head of G.M. labor relations, during an appearance Monday at a truck plant in Flint, Mich.

Such limited comparisons are all the help we can get in understanding the Absolute and its relation to its appearances: Bradley rejects as impossible the demand for detailed explanations of how phenomena like error and evil belong to the Absolute, instead trying to shift the burden of proof to critics who express confidence in their incompatibility.

Despite writing that "on paper ['Medusa' is] the right episode at the right time", the two criticized the episode, noting that "the teaser never really makes sense in light of the relations offered, the appearance of the mute boy is a messy contrivance, and the ending is too abrupt".

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