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Pete Seeger says that a piece of writing may be read only once, but a song is sung over and over, and so he regards songs as more powerful tools of resistance than writing, but popular songs don't (easily) embody complex ideas.
Kevin McNeese of New Release Tuesday regarded the song as a "powerful song and moment", while Steve Morley of United Methodist Communications commented that the song "offers grace for the journey" and "emphasizes the sin-crushing power of Jesus' death and resurrection".
Nathan Brackett from Rolling Stone called Carey's vocal tone "golden" and regarded the song as a standard for weddings, funerals and singing auditions.
Belinda S. Ayers of CBN.com regarded the song as "one of the album's most energetic songs" and praised it as an example of Hall's "bold" lyrics.
John DiBiase of Jesus Freak Hideout regarded the song as "edgy" and the praised the vocal support from The Blind Boys of Alabama.
The traditional blues songs were, likewise, regarded as "songs that were so good they couldn't be left off the album".
A writer for The Scotsman stated that regarded the song as "another of those anonymous, mass-produced party hits sung by a faceless rent-a-vocalist".
Melinda Newman, writing for HitFix, regarded the song as "a bouncy, electronic infectious ditty," while Chris Younie, a critic from 4Music, deemed it an "amazing pop song", lauding the group's falsetto and its "head-banging anthemic" chorus.
Despite his highly regarded love song "Changes," Ochs never gained the wide popularity he sought.
Queen also regarded the song as a mini-showcase of their technical skill.
