Sentence examples for reflection in which from inspiring English sources

It is the motif of questioning back to the last source of all achievements of knowledge, of reflection in which the knower reflects on himself and his knowing life, in which all the scientific constructs which have validity for him, occur teleologically, and as permanent acquisitions are kept and become freely available to him.

Speaking of this transcendental motif, Husserl wrote: It is the motif of questioning back to the last source of all achievements of knowledge, of reflection in which the knower reflects on himself and his knowing life, in which all the scientific constructs which have validity for him, occur teleologically, and as permanent acquisitions are kept and become freely available to him.

As a result, Germany faced a period of reflection in which traditional values and ideals were questioned.

A recent RSA report, Schools with Soul, suggested making the next academic year one of reflection in which no new policies are announced and only the most essential inspections take place.

Following a moment for reflection, in which T-Mobile ponders the waste of almost a year in takeover talks with Sprint, a new phase of negotiations  with Iliad and perhaps other bidders will no doubt begin.

Carissimi is more interested in his protagonist's ambiguous attitude to his divine calling than his famous encounter with the whale, and Iglich stages his oratorio as a simple act of communal reflection, in which individuals are drawn together by their experiences of doubt and faith.

To improve their outcomes, HBCUs will have to undertake a process of critical self-reflection in which their institutional stories, myths and assumptions are laid aside in a search for truth.

In "Untitled" she uses varied bowing techniques to turn a graceful theme into a showpiece, and in "Reflections," in which she was accompanied by the pianist Vicky Chow, a bittersweet theme blossoms into inventive solos for both instruments.

It should come as no surprise, then, that Phillips's seventh collection, "The Rest of Love," is short on postmodern ironic clowning and long on sober, high-minded reflections in which the authority of poetry itself rarely comes into question.

Less a novel than a collection of stories, extracts, and reflections in which fact and fiction, the prosaic and the intensely poetic, interact unpredictably, the book is held together by a framework narrative that violates conventional expectations as deliberately as much 20th-century experimental writing.

It is a movement of "awakening self-reflection", in which the form-law governing our involuntary (aesthetic) approval or disapproval of human actions or situations is elevated to norm-law, i.e., is accepted as binding on me, and to which I have a responsibility that I accept (cf. Weiss 1928: 216).