A comparison of the Makran outcrops with seismic-reflection examples offshore NW Borneo reveals distinct similarities in the gross depocentre geometries and internal architecture.
Parts 1 and 2 involve an online introduction to the topic of antibiotic resistance and prescribing, and probe participants' own views on this issue while also providing case scenarios for reflection and examples of the latest evidence in the form of reference charts and summarised readings.
Reflection on examples drawn from more homely contexts also casts doubt on the idea that all genuine evidence is in principle accessible to multiple individuals.
Similarly, for the historian, evidence might consist of hitherto overlooked documents recently discovered in an archive or in an individual's personal library.[1] Reflection on examples such as these naturally suggests that evidence consists paradigmatically of physical objects, or perhaps, physical objects arranged in certain ways.
The first line of thought comes from reflection on examples concerning the requirements that have to be met in order to understand demonstrative expressions in conversational contexts where one of the participants in the conversation uses expressions such as 'that woman', but where various women are present, all of whom are possible referents for this demonstrative.
As in Proust, we get surprising and vivid shifts when we move from reflection to example (that quick narrowing, from thinking about the sociology of death to an actual corpse, the author's father).
Nature has its own strategy to effectively reduce reflection: for example, nanostructured surface on a moth eye [6, 9].
To what extent should proponents of a given theory, or a given rule, or a given policy — or even proponents of a given one-off action — consider what they think people will actually do, as opposed to what they think those same people ought to do (under full and reasonable reflection, for example)?
Others view private reflection, for example writing a diary or blog or reading literature as more effective.
Felix analyzes 2D scenes to ensure that the 3D assets show the right reflections, for example.
The most crucial ideas can be filtered out of the mass of reflections, for example by voting.
