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The rub was that in 1977 a way to decode Reed-Solomon corrected data had yet to be worked out.
Reed wall, reed wall!
REED: All right.
REED: OK, go right ahead.
The tip of your tongue should be touching just under the tip of the bottom reed, not the opening of the reed, to make the correct sound.
Larry Guy, a symphonic player, teacher and author of books on reeds and embouchure development — the taut formation of the lips around the mouthpiece and reed — was already an established player when he went to Mr. Opperman to correct problems with his right hand.
Many players who are just starting or have never had correct instruction will make the mistake of "smothering" the reed with too much bottom lip, closing the throat to limit airflow, or any number of other mistakes.
David Waldstreicher, a historian at Temple University and the author of several books about slavery and the founders, called those footnotes (which do not identify the errors or acknowledge that Ms. Gordon-Reed corrected one of the transcriptions a decade ago in a reissue of her 1997 book) "fighting words" and "about as nasty as it gets".
The reed beds were burned.
The reed beds?
REED: You can hear it.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com