Sentence examples for recurring line from inspiring English sources

Ben, your book has a recurring line: "Oh my people".

"Hello, I'm a PC," the engineer says, echoing Mr. Hodgman's recurring line, "and I've been made into a stereotype".

Probably the one recurring line in all my movies is when at some point somebody says to somebody else, "We gotta stay in character".

Late in the set the band played "Maps," a stripped-down rock anthem with a recurring line, "Wait, they don't love you like I love you".

The title of the track is taken from a recurring line in the novel which simultaneously comments on the repressed "inner and outer parties" as well the protagonist's impending imprisonment by the thought police.

Mark Rylance's nomination for Best Supporting Actor, for his turn as Rudolf Abel, in "Bridge of Spies," is due, I think, to a similar synergy of actor and material: his delivery of a single recurring line — "Would it help?" — is the hook that catches voters.

The number of recurring links between two nodes is counted and weighted, using specific weighting principles, like (a) counting formulaic (recurring lines in the collection) only once, and (b) by taking the size of the group in which two words rhyme into account when establishing the weights (in order to avoid that large groups of rhyming words are scored more often than smaller ones).

"Two lovers hide behind a veil of nonchalance, but both are equally aware of the other's intentions," Inglis suggests, with specific reference to the third verse: The message behind the verses' recurring lines "I do, I do" and "Should someone be looking at me" has invited conflicting interpretations.

In the end tag, the heads of the Dean (Jim Rash), Chang (Ken Jeong), Magnitude (Luke Youngblood), Starburns (Dino Stamatopoulos) and Leonard Richard Erdmann) are superimposed on ornaments as they perform a version of "Carol of the Bells" using their names and a few recurring lines.

Mr. Bathory-Kitsz said he was unable to compose for a month after the attacks, then rapidly produced "The Key of Locust," a trio for violin, viola and cello that features a recurring melody line of pure, keening anguish.

He occasionally relied on a steady bass line or a recurring melody, but he was just as likely to pile up percussive, discordant patterns.