Sentence examples for recurrent movement from inspiring English sources

It's possible that people felt that too much of the dancing on Thursday was the same — too many recurrent movement motifs, too much Mozart — although Mozarteans, and most of us are that, would argue that there can be no such thing.

Their leg beats and other ballet steps are swiftly connected to recurrent movement motifs: drops to the floor and sequences of quirky gestures of the see-no-evil, speak-no-evil variety as each covers his or her mouth or eyes.

The way we use our muscles is probably a genetically programmed aspect with recurrent movement or expression, even at a young age, suggesting where fixed wrinkles will likely follow.

These wrinkles may begin to stamp themselves as volume depletes over time, and become fixed if the skin is sun-damaged and can no longer deal with recurrent movement.

There were recurrent movements: a head buried in another's stomach, pushing; stiff-limbed gyrations, like zombie club dancers; moments of almost-intimacy and almost-tenderness.

Even the most rudimentary explanation of cycles must isolate the forces and relationships that tend to produce these recurrent movements.

Bounded on both east and west by meridional or gently arcuate fault scarps, which developed initially in the Early Paleozoic but which have suffered recurrent movements since (and which indeed are still active), the ranges are surmounted in many areas by the remnants of a lateritic plain.

Motor tics are described as brief, sudden, irresistible, inapposite and non-rhythmic recurrent movements in voluntary muscles or muscle groups [ 50].

The belief that history conforms to a linear development in which the influence of providential wisdom can be discerned, rather than to a recurrent cyclical movement of the kind implicit in much Greco-Roman thought, was already becoming prevalent early in the Common Era.

Although the program says that the work uses a party setting, "the people" feels nonnarrative; the dancers move through ensemble pieces and smaller groupings in front of Mr. Reddy and his musicians in recurrent, stylized movements: jazzy hip swivels, feet pivoting and hands crossing and gesturing in front of the face.

Ms. Harakas and Jodi Melnick, in skirts and tops, entered with a recurrent sinuous, sashaying movement.