Many Stax records featured a distinctive horn sound, and their bass-heavy bottom end had a powerful impact when played on jukeboxes and in dance clubs.
Charles Modern Soundss (1962) records featured a fusion of soul and country music, country soul, and crossed racial barriers in music at the time.
And the recording features a glockenspiel.
The recording features a voiceover delivered by an Isis militant, whose voice and accent closely resembles that of the killer in both the Sotloff and Foley videos.
The record features a collaboration with The Cure frontman Robert Smith.
The cover booklet of the record features a painting by Hillel Slovak.
The recording features a choir and long, lavishly orchestrated instrumental passages, the musical arrangement for which was supplied by John Barham.
Recorded onto a sheet of tinfoil, the recording features a cornet solo followed by recitations of "Mary Had A Little Lamb" and "Old Mother Hubbard".
The recording features a dense production treatment from Phil Spector and backing from a large cast of musicians including Eric Clapton, Ringo Starr, Billy Preston, Bobby Keys and the band Badfinger.
Beginning with a solitary guitar figure from Harrison, soon joined by Nicky Hopkins' piano and Klaus Voormann's bass, the recording features a performance that builds towards the song's choruses, as musical tension matches the emotion of the lyrics.
Co-produced by Phil Spector, the recording features a prominent contribution from Nashville pedal steel virtuoso Pete Drake, and twin keyboard parts from Gary Wright and Billy Preston in the tradition of the Band, whose sound influenced Harrison's arrangement.
