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Typically, what happens is either I play a song I've written or Andy plays a song he's written, we cut away a little bit of structural stuff, and then basically start jumping into recording it right away.
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"We recorded it right in my radio station," he said.
"[T]here was no reason to record it right then, no single was planned or anything".
I was hungover and I thought about hangover, so I just recorded it right away.
MR: But your re-recording had changed the meaning, which is why you recorded it, right?
It was probably the only time I've written with someone else, Scott and Casey, where I got this idea and within fifteen minutes we all three wrote a song and recorded it right then.
We essentially have the mic's set up at all times, so if we are writing a song--once I know I have all the words I need for it and the melodies--we just kind of lock it in and record it right there on the spot, then just go back to writing.
You recorded it with Frank Black, right?
But more importantly, I knew that when something this egregious and mythical happens, you have a moral obligation to record it for posterity, right?
But more important, I knew that when something this egregious and mythical happens, you have a moral obligation to record it for posterity, right?
You and the band were originally supposed to record it in Kingston, Jamaica, right?
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com