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Christoph von Dohnanyi conducted the Cleveland Orchestra in this unwieldy beast (five movements, complete with male chorus in the finale) with Garrick Ohlsson as the commanding pianist in 1989, when Mr. Morris was the orchestra's executive director (and I was its program annotator and editor), and they also recorded it for Telarc.
Written before the swinging 60s had taken hold, Gerry Goffin and Carole King's song managed to be both taboo and prescient (as the decade progressed, the lyrics seemed increasingly to question its liberal mores, something King acknowledged herself when she recorded it for Tapestry as a wiser woman).
When the band recorded it for the album, the group rearranged the song from its live incarnation and gave it country music feel in tribute to its lawyer Bertis Downs, IV, who was a country fan.
Instead, he recorded it for me on VHS.
Werner Herzog also recorded it for the book release at the NYPL last night.
The cameras picked up the entire scene and recorded it for investigators.
In 1961, when was twenty-two, he recorded it for Stax Records.
He later recorded it for his 1964 album of the same title.
My old man has recorded it for me so I've got to go around his and watch it.
Jose van Dam, a veteran of distinction, has recorded it for Virgin Classics on a CD due imminently.
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He took the title line from a song written by Claude Casey and had a much bigger hit when he re-recorded it for RCA in 1958.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com