Sentence examples for record echo from inspiring English sources

On Cristina's second album, "Sleep It Off," which was released in 1984, the producer Don Was makes the record echo with hard drum machines and nasty sounds; it's a forerunner of the recent musical fad called electroclash.

Now with the line-up that would record Echo & the Bunnymen, the band gave a live television appearance for the BBC in September 1986 when they played two new songs, "The Game" and "Lips Like Sugar".

The mixture of treated and organic sounds on the record echoes the album's surreal themes.

Gersht's images are a knowingly unstable record, echoing the challenges of unlocking time and memory.

The Bergen Record echoed these sentiments, saying the tracks demonstrated how the band was on a personal and spiritual quest.

His record echoes that of the Republican legislators in power in Congress and states across this country and that of the party's 2012 platform.

Hayley Louise Brown of Clash viewed the song as an important part of the album, musing "opening with a reworked version of heartbreaking ballad 'Thinking About You' and an instant confrontation with the full force of Ocean's vocal range, the whole record echoes with extra terrestrial Odd Future synths and clumsy piano chords".

The posting includes both a written threat from the group, Al Qaeda in the Arabian Peninsula -- which is believed to be inspired by Osama bin Laden's terror network, rather than an official arm of it -- and a videotaped recording echoing the same Friday deadline by Abdelaziz al-Muqrin, the self-proclaimed leader of the group.

"You're beautiful, you're so beautiful, a little ugly, but beautiful" and, in a nod to "The Princess Bride": "As you wi-i-i-i-i-sh-h-h-h!" I didn't hear it myself, but the project's organizers reported that, at around 11 30 A.M. on that first Saturday, a marriage proposal was recorded: a man asked into the intercom, and the next recording, echoing down the line, was her response: "Yes".

While Brooklyn's the Men (not all of them are, as it goes) operate firmly within the parameters laid down in the early days of US indie-rock – guitars, distortion, weirdness, melody, more or less in that order – they seem to have read around the subject so much that if we were to start naming all the bands and records echoed on their third album, we'd be here all night.

Webber of Psychopathic Records echoed Kovin's sentiments.