Taking realisation first of all - a relation Halliday describes as probably the most complex of all linguistic relations - text both realises and is realised by the context of situation, with context of situation modelled as a tripartite structure of field, tenor and mode.
Our findings supported our hypothesis that OCS with restrictions imposed during optimisation realises most of the long-term genetic gain realised by OCS without restrictions.
We tested the hypothesis that optimum-contribution selection (OCS) with restrictions imposed during optimisation realises most of the long-term genetic gain realised by OCS without restrictions.
Butterfly's violent rejection of the Stars and Stripes when she realises her betrayal by Pinkerton is inevitably followed by her wrapping it around her son – skilfully performed by William Parsons – to prevent him from seeing her kill herself.
The accidental innovator ReprintsHis next idea, he now realises, was flawed by being obvious not in retrospect, but from the start itself an important lesson.
Co-produced by BLOOD, who pulled off a similar trick with Justin Bieber's Sorry, Touch does realises its mistake by the final third, upgrading the pre-chorus and layering it over the instrumental drop to take the whole thing to the next level.
But it is also conceivable that the top brass realises that wayward behaviour by soldiers should not go altogether unpunished.
His girlfriend, played by Denise Richards, realises that the dinosaur has Paul Walker's exact personality and tries to win him back by taking her clothes off.
But after a disastrous shoot-out with Baby Face Nelson (an enjoyable cameo by Stephen Graham, Purviss realises that his shiny youngsters are no match for the crooks' toughness and savvy; he needs to bring in some wily old law-enforcement hands, and the audience needs to forget that they've seen this plot-line in The Untouchables.
The helicopter hits turbulence and the passengers are told to fasten their seatbelts, but Dr Grant, a slightly grumpy palaeontologist played by Sam Neill, realises that he is stuck with two buckle ends – the female parts of the mechanism – and no tongue.
