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RDR2 seems to be attempting real realism in its game, to the extent that it's possible.
Why is it that the "real" realism does not give us leaders we can really count on?
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As Georgia O'Keeffe once put it, "Nothing is less real than realism".
"Nothing is less real than realism," she said in that pragmatic yet enigmatic way of hers.
His fiction reproduces not the real but "realism" — narrative as a set of contrivances and conventions, a style that, in fact, gets in the way of the real.
It never occurs to you to question whether your characters are well drawn or whether their dialogue is realistic because all these people are pushing and shoving and talking at once, and to your mind they are real, so realism is not much of a problem.
The "real" in realism refers, in fact, to the belief that the categories that we can use to divide entities are, themselves, real.
That melancholy reflection from Kind Hearts and Coronets does justice to some of Andrew Haigh's unassumingly excellent lo-fi feature: a boy-meets-boy love story extending over a single weekend, and filmed with a kind of real-time realism.
"A real master of realism," Mr. Criminisi said, "can paint without real accuracy".
They practically sum up a period when political correctness gave way to something polymorphous, unsettling and psychologically real, and when realism resurged along with painting.
Nobody would know how to deal with such a string of tragedies and frustrations in real life, but realism is not what this movie is about.
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