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The reader is invited to ascertain their unique scholarly path.
The reader is invited to decide which approach is best.
The reader is invited to assent and admire; not to challenge.
Chanu, the protagonist's husband, begins as someone the reader is invited to resent.
The reader is invited to see through her eyes this angst-filled, rollercoaster journey.
The reader is invited to share her grandmotherly attention that substitutes well for the lost maternal gaze.
The reader is invited to pit his or her wits against those of the detective, who eventually brings the case to a dramatic and unexpected denouement.
The reader is invited to "know" the biographical subject and through his or her eyes take in the history of a particular time and place.
These big subjects are all aired in this engaging memoir, in which the reader is invited to walk through perceptual and conceptual walls with her.
Teju Cole likes to keep his writing porous, allowing in influences and impressions with a kind of deceptive blankness that the reader is invited to make sense of.
The reader is invited to see the two men as supreme orators, literary masters and slayers of spineless Conservatives and perfidious foreigners.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com