"reader's perspective" is correct and usable in written English.
It can be used to refer to someone's opinion or view of something based on what they've read. For example, "The reader's perspective was changed after reading the article."
But the wrecking ball looks, from the reader's perspective, to be Maria's own self-justifying narcissism.
Finding simple comparisons and thinking about things from your reader's perspective will improve the clarity of your work.
Because this was a special occasion, I thought I should spend longer than usual parsing them — not from a marketer's perspective but from a reader's perspective — allowing them to give up whatever secrets they held.
What I wanted to do was to alter the reader's perspective of Earth, to show that dirt is precious but seawater dominates, to step out on a field is rare while to float and scintillate with bioluminescence is common.
From a reader's perspective, the main goal is to enter the contest and see if he or she wins, or at least to see which captions are picked as the finalists.
Zoë Heller, though, is less interested in examining the reasons for their affair or its moral repercussions than in tilting the reader's perspective through a narrator who has her own agenda.
There were two aspects that were particularly challenging, one was imparting information to the reader through Lucy's perspective.
Having overseen the admissions process at three of the nation's most selective universities, Ms. Mamlet brings to her book — and this exchange with readers — an insider's perspective that few can match; I would encourage readers, both young and old, to avail themselves of the opportunity to ask her a question.
He never allows the reader to escape Damon's perspective.
Her meditative account, set down toward the end of her life, cuts back and forth in time to give the reader both a child's perspective on the awful events in the Sierras and an adult's retrospective wisdom.
Starting with "If Nobody Speaks of Remarkable Things" (2002), McGregor's precocious, attention-grabbing early work was characterized by structural devices meant to dislocate a reader's expectations: varied perspectives and voices, shifting time sequences, fractured narratives, misdirection, and disrupted sentences and paragraphs.
