Sentence examples for range of narrative from inspiring English sources

In fact, Glass's operatic repertoire displays a diverse range of narrative and emotional effects constructed from this supposedly same-y aesthetic.

Meanwhile, he gets to inhabit a wild range of narrative voices: a pompous Galician lawyer who calls Belano a "third-rate Julien Sorel"; a foulmouthed gringa who refers to one visceral realist as a "hemorrhoid-licking old bastard".

Blissfully light on logic, even by the zombie genre's low standards, the film is held together by a furious hell-for-leather momentum that masks a range of narrative oddities and inconsistencies.

With its combination of numbers, magic, hunches and statistics, the bad-beat story furnishes a nice range of narrative devices to frame a lament about losing, while making it crystal clear that the loss wasn't your fault.

Ruiz continued to explore a range of narrative possibilities with Les Trois Couronnes du Matelot (Three Crowns of the Sailor, 1982) and La Ville des Pirates (City of Pirates, 1983).

The variety of techniques and materials, the mix of large-scale feats of draftsmanship with clusters of framed works, the broad spate of sources (from American quilt patterns to Japanese anime to 19th-century illustration) and the range of narrative ambition create an exhilarating sense of possibility.

He used, for instance, Nintendo's series of Zelda adventure games to get children to write stories known as "ergodic" texts – that is, stories with no single linear path, where a reader's decisions about which page to turn to next give rise to a whole range of narratives.

That inclusiveness is clearly on display in Taiwan's open news media, culture and academia, but also here, in the southern city of Tainan, where the decade-old National Museum of Taiwan Literature celebrates a rich range of narratives from the cultures that make up the island's highly diverse history.

Stakeholders typically viewed the shrubby regrowth through one of three frames expressed through a range of narratives that conveyed meaning: "Control"—a negative interpretation of the regrowth, "Accept"—a positive interpretation; and "Ambivalent"—a fusion of the Control and Accept frames.

It is interesting that lecturers often underestimated the number and range of narratives or stories they were telling; this in itself might reflect a reluctance to consider them as useful learning tools.

They covered the full range of the narrative and metaphor in the Christian Bible, from the fall of Lucifer to the Last Judgement.