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Like "Crimes and Misdemeanors," it's a grandly and deftly theatrical flourish of nihilism, a vision of the inescapable torments of conscience in a random world of moral horror.
In a random world, there's no way that investors — whether they're Wall Street analysts or taxi-drivers studying the business pages at red lights — can consistently outperform the market.
Napoleon reckoned "there is no such thing as an accident, only design", while new age writers have made (and traumatised) millions by suggesting people are wholly culpable for each tragedy that befalls them, giving them a false sense of certainty in a random world.
He not only notes the appeal of narrative and causality in a frighteningly random world something readers of Thomas Pynchon's novels well know but also argues that overarching theories tend to be "formulated by the politically defeated and taken up by the socially defeated".
With the new discoverability factor, Tracks adds a more social aspect to the product, but also opens itself up to a "random" world for the very first time.
"You're looking for enough similar activity to suggest that in this random world, that activity would not have happened randomly," says Ross Silverman, partner in charge of fraud litigation at Katten, Muchin & Zavis in Chicago.
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For example, random worlds captures important patterns of reasoning such as specificity, inheritance, indifference to irrelevant information, and default assumptions of independence.
Our results show that a number of desiderata that arise in direct inference (reasoning from statistical information to conclusions about individuals) and default reasoning follow directly from the semantics of random worlds.
Furthermore, the expressive power of the language used and the intuitive semantics of random worlds allow the method to deal with problems that are beyond the scope of many other nondeductive reasoning systems.
We call our approach the random-worlds method.
Shakespeare remained a primary touchstone throughout Lincoln's life, molding his almost existential view of mankind's plight in a random, unpredictable world, but a host of other writers would imprint his imagination as well.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com