Sentence examples for radical composition from inspiring English sources

Near abstractions of rushing activity and immense energy, these are unusual among Mr. Goldblatt's work, celebrating unsung heroism in hellish circumstances but most obviously exploiting the formal properties of stark light, radical composition and blurry motion.

But the shock value of the "Rite" comes more from the savagery, pummeling power and grating dissonance of the score than from any pathbreaking experiments with radical composition on Stravinsky's part.

By The New Yorker September 30, 2010 This week, Alex Ross writes about the composer John Cage (in an article available to subscribers online) and his radical composition "4'33"" — four minutes and thirty-three seconduringing which the audience hears only the sounds that surround them — which was first performed by the pianist David Tudor, in 1952.

The sensitivity of the results to variation in electron cross sections, reaction rates and radical composition was investigated.

Played the classics until 1923 when he played his own radical compositions and was acclaimed.

Composers like Lucier, Ashley, Cage, and David Tudor were making radical compositions featuring contraptions of their own design and construction.

They join a friend, the vocalist Jennifer Walshe, and the New York experimentalist ensemble Object Collection for a concert of their whimsical but radical compositions at Brooklyn's cutting-edge Issue Project Room.

By the next year, he was the talk of the American music scene for his performances of cutting-edge works by Schoenberg, Scriabin, Bartók, Debussy, Kodály, Ravel, and Stravinsky (many of them U.S. premieres), as well as his own, even more radical compositions.

McFarlane emphasises the significance of the latter work, pointing out that it is "strikingly modern" in comparison to all of Fuller's other work, and more radical than compositions created by Grace Cossington Smith and Roland Wakelin, half a decade later.

It signified a radical style of composition which aimed at redressing the swooning clichés of late romanticism, first with atonality, then with the rigorous new language of the 12-tone system, founded not on traditional harmony but abstract arrangements of pitches.

Total phenolic and flavonoid amounts, phenolic composition, radical scavenging as well as reductive and metal chelating properties were determinated by well-established chemical and analytical procedures.