Your deep, hoarse voice does not dominate it with new trains of thought, unexpected questions, memories of your childhood in Hebron, your adolescence in Ramallah during the first intifada or the four years you studied art in Baghdad.
It's a tool of convenience (convenience, as in "convene," a coming together — it joins us where we are) that gathers up our scattered questions, memories, and interactions, and lets us examine them all through a pocket-size window.
The distinctively epistemological questions about memory are these: First, what makes memorial seemings a source of justification?
The children excitedly recited some of the questions from memory.
His earlier works form a trilogy exploring questions of memory, exile and European identity.
Candidates study a picture of a neighborhood on "the wrong side of town" and answer questions from memory.
In juxtaposing two extraordinary personal histories, it ponders in a refreshingly original way unanswerable questions about memory, imagination, history and that elusive thing we call truth.
A brutal murder triggers a crisis, but plot is not the point: in almost Socratic dialogue, the characters explore questions about memory, passion, and death.
Complicated circumstances lead Ali back home, where the film concludes in a quiet, ruminative mood, touching on questions of memory, identity and the pull of home.
The digital age is also raising broader philosophical questions about memory.
