While her phrasing wasn't rigid — she used ample rubato — there was a faceless quality to passages that must sing, like the lyrical second theme of the first movement and the similarly calm central section of the second.
Despite much improvement in water quality since passage of the Clean Water Act in the 1970s, the group said, 21 percent of water samples taken have unacceptable levels of bacteria because of problems like discharges from aging and failing sewage treatment plants, sewage overflows caused by rain and poorly maintained septic systems.
No baseline data existed regarding improvement or deterioration in water quality with passage through the dams, or relating to potential for direct or indirect exposure.
Results for biophysical indicators showed a steady improvement in water quality with passage through campus dams, emphasising a need to regard the impoundments as part of a treatment chain, rather than as passive storage units.
As a replacement for this 'architectonicism', he promotes 'concatenationism': the view that basic musical understanding consists in following the musical and emotional qualities of passages of music, and transitions between them, that are short enough to be apprehended as a single experience ('quasi-hearing').
The quality of passaged JE cells drastically declined after the 3rd passage, but after 4th passage in OGE cells.
The voice is not exactly plummy these days, but it retains a wonderfully liquid quality in lyric passages".
In a role originated by Violette Verdy, Ashley Bouder, dancing with Stephen Hanna, brought just the right offhand quality to the passage for flicking, curling Gallic arms in a musically phrased performance.
Despite improvements in water quality since the passage of the Clean Water Act in the 1970s, the group said, 21 percent of its water samples had unacceptable levels of bacteria because of problems like discharges from aging or failing sewage treatment plants, overflows caused by rain and poor maintenance of septic systems.
You don't usually think of the koto as a particularly aggressive instrument, for example, but Ms. Kurosawa produced that quality in a passage that involved her scraping the finger plectrums on her right hand against the bass strings to create an abrasive din.
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