Sentence examples for quality of narrative from inspiring English sources

"I was quite disappointed by this," says Ahmed. "Ever since Red Dead Redemption, I'd got this sense that there had been this huge advance in the quality of narrative, but actually it's not the case.

Some of these addicts might also find what's generally known as "plot" to be numbingly stultifying, and jettison it in favour of something more open-ended, some quality of narrative which they identify with ease.There's an ongoing war here, where different people have radically opposed ideas of what's difficult and resistant and what's open, accessible and free.

Although some of the liberties he takes may be questionable -- I'm not sure why it's necessary to add a pedophilic relationship with his adopted son to Rumkowski's reputed list of venal traits -- they also imbue his writing with a certain largeness of effect, a quality of narrative grandeur.

NINE times out of 10, it's possible to predict the quality of narrative books, especially those set in the business world, even before the author sits down and begins writing — even before the first interview is secure in a tape recorder.

The results suggest that both interventions contributed to improving behavior and school performance, whereas only the combined intervention increased the overall quality of narrative text, organization of paragraphs, and denouement.

Besides the poor quality of narrative feedback and the lack of direct observation, the administrative burden was mentioned as an explanation for trainees to perceive narrative formative feedback as not very useful [ 26, 27].

I also like the other qualities of narrative technique that she uses as it is written in letters and the use of different narrative voices was very new at the time.

"Flesh and Blood" blends qualities of narrative features and documentary filmmaking to create something wholly personal.

Oren Etzioni, a computer scientist at the University of Washington, says, "The quality of the narrative produced was quite good," as if written by a human, if not an accomplished wordsmith.

It is achieved in Burns's signature style through prolonged immersion in the archival past (and the avoidance of any filmed re-creations of events for which no visual testimony exists), by the sustained quality of analytic narrative, by a stellar cast of voices (Eleanor's letters are read, piercingly, by Meryl Streep), and by the impeccable authority of those consulted or interviewed on screen.

The hectoring quality of the narrative and the (to me) frankly unbelievable nature of some of the characters are dramatically compensated for by moments of deep and powerful evocation of physical life.