That is all there is; anything putatively "extra"—facts about laws of nature, or about persisting macro-objects, or about causation, or about mentality, or about ethics, or about sets, etc.—must somehow reduce to that stuff.
Whatever lingering shreds remain of Jack Black's credibility are thoroughly extinguished by this limp, putatively feelgood comedy about birdwatching – or "birding", as Black testily emphasises at one point.
Knowing about art's past is, if anything, a liability when it comes to exploring this edition of a mega-show that every five years takes over the poky German city of Kassel with a putatively definitive statement about how art stands in the world.
Even "Freakum Dress," a putatively upbeat song about wearing a "short and backless" garment just so someone will remove it, starts with bilious scene-setting: "I think I'm ready, been locked up in the house way too long / It's time to get it, 'cause once again he's out doing wrong".
Together, Wittgenstein's finitism and his criterion of algorithmic decidability shed considerable light on his highly controversial remarks about putatively meaningful conjectures such as FLT and GC.
The open question for current Critical Theory (although not all critical theories) is then whether or not "real democracy" is still the goal of social criticism given these putatively "unavoidable" facts about the structure of modern society.
Stars or no, it is an open question whether audiences will flock to a preposterous, putatively heartwarming buddy comedy about two men diagnosed with terminal cancer living it up in their final months.
(If anything about the putatively backward-looking Wood was closeted, it was Surrealism; there are whiffs in his work of the fantastic landscapes of the next artist to be as famous in America as he had been: Salvador Dali).
As Sam Spade mused about the putatively priceless Maltese Falcon, "it's the stuff that dreams are made of".
Further, none of them offers much in the way of tools or concepts for thinking about the putatively nonbinary nature of consciousness.
