Sentence examples for push the viewer from inspiring English sources

He believes the folds serve to "push the viewer back", creating a distance from the subject, an effect he sees as similar to the separation between and orchestra and setting; others view the folds as more closely resembling the bars of a prison.

"I really wanted to create a work that didn't push the viewer away," says Simmons. "My hope for those titles is that they might ignite an interest in the viewer to go and see some of those films and get to know some of those actors and actresses".

Most of the graffiti zines that are published in the US and around the world tend to focus on letters and paint on the wall and push the viewer to see the world of their creator through the prism of the colors he or she chooses to use.

360 video and virtual reality push the viewer into a symbiotic relationship with the story, providing a sense of agency and perspective that deviates from a century of cinematic consumption.

"Reason pushes the viewer back, it assaults him, it demands that he agree or disagree; impression can envelop him, invite him in, without making an intellectual demand. . . .

"He lets the wood speak" — and, in so doing, pushes the viewer to comprehend his ideas about abstraction in a new way.

This hour-long accretion not only of names, but of relationships, pushes the viewer to see past the statistics, the miserably stubborn figures in the matter of such killings, which change hardly at all year-to-year.

His style was now set, it would be anti-surveillance, turning the camera from a device that focuses in on the most important part of the frame, to one that captures the wider view and pushes the viewer to seek out the significance of the picture.

When paired with the images, it pushes the viewer to ask how much racial progress has the U.S. really made?

As most of his images take place behind the stage, Arrevad's work pushes the viewer into the position of voyeur, a role the photographer is all too comfortable taking on.

On the most basic level, I'm hoping to capture the almost spiritual quality of exhibition space, while also pushing the viewer to consider how highly-coded, constructed, and controlled these spaces actually are.