Sentence examples for pure shapes from inspiring English sources

"Royce" and "Artar" are single-wall projections in which pure shapes are created with white light from a single projector.

"Sundance" is fascinating in itself for the ways in which the spread fans, manipulated delicately by the women, serve as costume elements and pure shapes.

Vitra sees the Modernist aesthetic as "the true style of the century," established in the 1920's and calling for clear lines and pure shapes more or less consistent with the idea that form should express function.

Holliday subscribes to the grand tradition of abstract painting, where we can revel in pure shapes and colors, rather than try to hunt for a coded political message.

Cast in noir-style darkness, the minimalist letters radiate an ominous and powerful air, showcasing their power to stand alone -- outside language -- as pure shapes.

With his photograms Moses is able to depict the "pure shapes water takes", with its unpredictable and organic fluidity, as it moves through a given container or body. .

"It's a very sacred sphere," he said, "because it is such a pure shape".

Jay Wholley's deeply fissured iron cube, "Bru Na Boinne," (2000) is an example of a pure shape gone awry.

This is especially apparent in the great Surf series, wave on changing wave of pure shape, and in his images of sand dunes pleated and folded by the action of wind, rising in knife-edge triangles one behind the other, nothing but form: the merciless geometry of Death Valley abstracted.

Perhaps Gehry could have resisted more the game of signatures and brands that goes with "iconic" architecture, but he is very far from the worst offender, and it is not the case that his buildings are pure shape, with no thought of what might happen inside and out.

She was a close friend of the neo-concrete sculptor Sergio de Camargo, and a walk around the Pinacoteca do Estado's collection – where several works by Schendel hang alongside concrete and neo-concrete masterpieces – confirms their shared themes: an interest in the potential of pure shape and colour; and an exploration of writing as a visual, rather than solely communicative, tool.