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Where much of Semsroth's discography has emphasized precision and the cerebral effects of infinitesimally subtle variation, this record is pure body music, thrashing and bucking about in pure recklessness, at least by Semsroth's standards.
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She is 90% bravery, 10% utter recklessness.
And recklessness.
Automated recklessness?
It might be recklessness.
They suggested "extreme recklessness".
Chart 9 quantifies their recklessness.
Nor has freedom bred recklessness.
Was it recklessness?
So no signs of recklessness.
This is way beyond recklessness.
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