Sentence examples for provide rhythm from inspiring English sources

At a recent Radiohead show in Camden, New Jersey, the group used an Apple laptop to provide rhythm tracks for songs like "15 Step" and "Videotape".

The heels, soles, balls of the feet all provide rhythm, texture and meter, and the jangling ankle bells maintain a lively accompaniment throughout.

A drummer will provide rhythm, and the actors will use many props, including a hose, a plastic pool, stilts, food and a mattress that will come into play when they do Jane Yolen and Mark Teague's "How Do Dinosaurs Get Well Soon?" "The dinosaurs' being sick is all being done on the mattress," Ms. Swados said.

Regular meetings provide rhythm but also create a sense of urgency and cohesion.

The task of the participants was to tune the rope-turning frequency to the auditory rhythm inputted from the headphones or to that of another participant's (while participant's headphones did not provide rhythm).

Taiko, along with other instruments, are featured atop towers that are adorned with red-and-white cloth and serve to provide rhythms for the dancers who are encircled around the performers.

His picking provided rhythm and hints of harmony as he sang, 'Guiltiness, rest on their conscience, oh yeah......

The steady speed of the the turntables provides rhythm, the lumps and bumps of the objects provide different sounds, and the result is mechanized minimalism that turns out to have its own peculiar swing.

Skiffle was trad's errant child, and remade American blues with homemade instruments: scraped washboards providing rhythm, tea chests slung with string becoming a cheap-as-chips double bass substitute.

They have very different guitar styles, with Miller favoring a solid country rhythm style and Milnes a more complex pattern in which he alternates picking the tune and providing rhythm for Miller's fiddling or singing.

Badfinger drummer Mike Gibbins' powerful tambourine work led to Spector giving him the nickname "Mr Tambourine Man", after the Dylan song, while bandmates Pete Ham, Tom Evans and Joey Molland provided rhythm acoustic-guitar parts that, in keeping with Spector's Wall of Sound principles, were to be "felt but not heard".