Sentence examples for propulsive piece from inspiring English sources

But Evans's list is a propulsive piece of modern writing.

The second program includes the flamboyant Act II pas de deux from "Le Corsaire," performed by American Ballet Theatre's thrilling Herman Cornejo, and "Lux," a propulsive piece by Doug Varone (Sept . 28.

A complete departure from the idiosyncratic bleakness of the "eski" sound he has pioneered for so long, it is instead a propulsive piece of electrohouse owing far more to Justice than Jammer.

The result is a thrilling call to arms, a melange of pretty much everything exciting about club music in the last decade or so, an unabashedly propulsive piece of work that's laying down a blueprint for what the future in the right hands could sound like if we give it the chance.

And "The Blue Hula" (1982), arranged from a similarly propulsive chamber piece, draws on jazz and stride piano moves.

And "Another Night," a propulsive ensemble piece featuring Dizzy Gillespie's seductive "A Night in Tunisia," reflects something of that energy: the viewer's eye doesn't ever get much of a break, and the dancers are continually pushed, as if to stop moving would mean giving in to a tiredness from which it would take a long time to recover.

Zach Browning's 2008 String Quartet provided just what was needed to end the program: a propulsive, giddy, rocking piece, a rush of cyclic riffs and fractured meters.

Mr. Boulez de-emphasized the propulsive drive of the piece and brought out its lush orchestral bigness.

Rather than simply transcribing the original recording, a double string quartet, Mr. Reed employs metric shifts that give new accent to the piece's propulsive quality.

On "This Is Me," a sophisticated piece of propulsive country-rock, Ms. Hill infuses lines like "I'm just like everybody else/ I try to love Jesus and myself" with a patient resolve, as well as tinges of desperation.

The piece, set to propulsive piano music by Eva Crossman-Hecht (wonderfully played by Margot Kazimirska) and the Chaconne from Bach's Partita No. 2 in D minor for solo violin, makes intense demands, requiring a fiercely honed technique, theatrical presence and mastery of Mr. Forsythe's style.