Sentence examples for proportion of listeners from inspiring English sources

Exact(1)

And the Spotify model does not work for classical because as a proportion of listeners, there is not enough traffic for it to generate the sort of income a label needs to invest in a performer and recording".

Similar(59)

Figure 9 shows the proportion of listener eye fixation on the "correct" areas of the screen under different morphing conditions.

There are two clear areas of research required to improve EAS outcomes: improving our understanding of how EAS is processed by the brain, and prevention of the hearing loss that occurs in a significant proportion of EAS listeners.

Other stations with high proportions of minority listeners were similarly affected.

Noting that this artsy music seemed to attract "a greater proportion of blue-collar listeners" in the U.S. than it had in Britain, he proposed that the genre's Britishness "provided a kind of surrogate ethnic identity to its young white audience": white music for white people, at a time of growing white anxiety.

Artists will be paid in proportion to the number of listeners they have with a "to be determined" revenue split with Imeem.

However, because of the high proportion of women who listened to the radio almost every day, this definition resulted in a large group of highly media-exposed women that mainly consisted of radio listeners.

These findings were supported by analyses showing that, for the FD task, only the FD-train group had a significantly higher proportion of "learners" (i.e., listeners who showed a pre- to posttraining improvement that was >√2, the step size in the adaptive staircase) than of "nonlearners" (those who did not) [χ(2) = 7.10, p =.03].

Radio 1 tasked Grimshaw with increasing the proportion of 15-24 year-olds listoning thethe station, even if this was achieved at the expense of Moyles's loyal listeners aged 35 and older.

With a record proportion of the UK population tuning into radio each week, four other BBC stations had their highest number of listeners since Rajar's methodology was introduced in 1999.

For example, if listeners interpret a certain proportion of the formant-frequency level of a vowel as being due to coarticulation with the adjacent consonantal or vocalic context, then they "subtract" this proportion from the formant-frequency level before they use the F1-F2 patoern to identify the vowel's phoneme category.

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