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The multilevel set and handsome projections designed by Tito Egurza add stylish visual texture.
Marianne Weems's production tries to fill that gap with video projections, designed by Austin Switser.
Subtle video projections designed by Eamonn Farrell and lighting by Jim Elliott abetted Meganne George's modest sets.
At crucial moments, slide projections (designed by Jan Hartley), including some haunting scenes of New York City in the 1940's and 50's, turned the stage into a wraparound urban environment.
Weary of fighting and besotted with the American heiress Angelica (Sally Silver), Orlando (Tim Mead) is plagued by visions of Edward VIII (projections designed by Andrzej Goulding), whose abdication represents the moral dereliction of those who abandon duty for love.
Neal Goren, Gotham's artistic director, inspired lean, vivid music making throughout, including in the quirkily acidic score of Hindemith's wry "Hin und Zurück" ("There and Back"), staged with an alluring black-and-white set and video projections designed by Driscoll Otto.
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What looks on entering the Cottesloe Theatre like a grim grey vat lined with shelves of books is transformed by a series of back-projections, designed by Anthony Ward, into a summer scene of rippling river and trailing willows, the inside of an academic study and a golden-towered Oxford.
There is the Deep, a lottery-funded aquarium contained in a pointy, iceberg-like projection designed by Terry Farrell, which although it looked at the time of its conception like a poorly considered excuse to spend money, is apparently doing well.
The team also adopted a new approach for the projection designs themselves: a projector that doesn't produce color.
Direction and development by Jo Bonney; sets by Scott Pask; lighting by James Vermeulen; sound by Darron L. West; projections design by Batwin & Robin Productions; production stage manager, Katherine Lee Boyer; assistant stage manager, Sharika Niles.
The projections were designed by Barbara Pollitt.
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