"What worries me in that kind of environment - particularly where politics are not shown to be making progress - alienation will continue to fester and violence, I fear, could very well re-emerge as a characteristic of daily life".
Such programmes must also strengthen community organizations, inculcate civic responsibility and be sensitive to the cultural heritage and social values which support progress without alienation of the younger generation.
Dr Haass told the hearing that without further progress, division and alienation would increase and Northern Ireland could not be held up as an example of peace-building.
With gentle, slow-building squalls of guitars, keyboards and whispered lyrics, Grandaddy delivers a heart-achingly beautiful requiem for a culture in which progress and technology have led to alienation and disposability.
Evidence of this can be seen with Elizabeth's gradual alienation from Jane as the film progresses; this is in contrast to the book, where Elizabeth confides more of her feelings to Jane after difficult events.
But this was not a unilateral progress upon Judaism, because Christianity, and especially Protestantism, generalized alienation to encompass all aspects of life.
The initial shock of alienation is followed by a slow, halting, uncertain progress toward a new experience and acceptance of the physical world, which presses in with all the prickly materiality of Rossellini's neorealist training (and even long passages of outright documentary, like the violent fishing expedition in "Stromboli" or the guided tours through Naples and Pompeii in "Voyage").
After working in Paris, then in Arles with the self-punishing van Gogh, he went to Brittany in search of a place that would feed his sharpening spiritual interests and soothe his sense of alienation from a Western culture fixated on material progress and power.
Varda captures the conflicts between tradition and bureaucracy, between settled habits and scientific progress — and between modern consciousness and itself, as the couple confront an estrangement that's more like existential alienation.
In this first critical account of Matta-Clark's work, Pamela M. Lee considers it in the context of the art of the 1970s particularly site-specific, conceptual, and minimalist practices and its confrontation with issues of community, property, the alienation of urban space, the "right to the city," and the ideologies of progress that have defined modern building programs.
In this first critical account of Matta-Clark's work, Lee considers it in the context of the art of the 1970s particularly site-specific, conceptual, and minimalist practices and its confrontation with issues of community, property, the alienation of urban space, the "right to the city," and the ideologies of progress that have defined modern building programs.
