Sentence examples for production pops from inspiring English sources

Exact(1)

Joe Mantello's production pops like bubble gum, bouncing from one dance-filled fantasy sequence to another.

Similar(59)

It didn't get produced because another production popped up and waved it away.

Seems like a long way from the big production pop and retro eyeliner of 2008's stars.

But Mr. Harrison is 32 now, and he's playing Warhol in his late 30s in the Yale Repertory Theater's latest production, "Pop!" (reviewed in The New York Times on Wednesday by Charles Isherwood).

Yet he's been able to accomplish that much while playing the fewest minutes since his rookie season; as Larry Drew has worked to integrate newcomers like Tracy McGrady, Vladimir Radmanovic, and Willie Green into the rotation, Williams has seen his playing time dip to 25.5 minutes a night, making his pedestrian-at-first-glance production pop in the context of his limited opportunities.

As for his own efforts, God Help The Girl slinks along with a spry Bacharach swing, encompassing Pearly Spencer-style 60s production pop and, on I Want To Dance With Cassie, an authentically Abba-esque Breezers-aloft anthem ("Cassie dances madly like a boxing kangaroo/Her little joey gets the drinks").

And I do think what we're going to see, and we may be starting to see it right now, is that production pop.

I think we're probably going to get a production pop because inventories have gotten worked down to such lean levels that if you were going to get a pop, it may look therefore at least for a brief period like a kind of classic "V" bottom, and it may suck some people into the optimistic camp, and it will probably be short lived.

However, Fletcher did feel that, while based on the rehearsal footage, Jackson "falls short of his groundbreaking 'Dangerous' and 'Bad' world tours," he noted that Jackson's age and thinness was mostly likely a factor in his performances and described Jackson as having more "star quality and charisma than a million Simon Cowell factory-line production pop singers".

The title track goes for high-production pop, while elsewhere there is gentle acoustic country rock (Last Night on Earth), emotional piano-led soul (Every Corner) and a general feeling that Astley is a decent guy enjoying his second chance.

The trouble is, apart from a few spontaneous performances, a high-production pop show like MDNA is so tightly choreographed that there is little room for tinkering, let alone cutting the two fan favourites Revolver (a top 10 hit in some of the countries Madonna visits) and Gang Bang which are lyrically themed around guns.

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