Sentence examples for production of narrative from inspiring English sources

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Finally, our findings suggest that the combined intervention in text production and WM strategies was more effective in improving the production of narrative texts by students with ADHD than an intervention focusing only on WM strategies.

The third generation of laboratory systems now encompasses most of the analytical steps of the laboratory workflow, enabling the clinical pathologists (autoimmunologists in this case) to focus on 'value-added' work, such as result validation and production of narrative reports for clinical interpretation [4].

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The present study examined the production of narratives and explanations by monolingual and bilingual children for their genre and linguistic features and compared these productions to performance on standardized tests of linguistic features.

New Narrative will also be looking for funding to restart the production of the Narrative Clip 2, its second piece of lifelogging hardware that was introduced last year, offering up some key improvements over the first generation.

The association of MPFC activity with the production of autobiographical narrative [21] is germane in this context, and as such, one could argue that improvisation is a way of expressing one's own musical voice or story [17], [22].

We then reviewed the coded data for different stakeholder groups; this led to the combination of some codes, the identification of new sub-codes and the production of a narrative summarising the key themes for each group.

Yet, narrative production does have a close association with the ability of linguistic structure organization, that is, the ability to concatenate different parts into a story (e.g., a beginning, a conflict and a corresponding resolution, and an ending), and the productiveness of written narratives is related to the production of oral narratives, as our result shows.

In Consciousness Explained (1991), Dennett introduces the "party game of psychoanalysis" to compare the production of dream narratives to a mindless, aimless game of question-and-answer, governed by simple rules.

But other segments are pedestrian or unilluminating (a housewife discussing her attitude toward her husband's relationship with a geisha, for instance, and a smackdown between two geisha rivals), and the production's lack of narrative or even thematic focus drains it of momentum.

Students learn to analyze ways in which such universals participate in the production and reception of narrative literature and film, whose metaphors can mediate the anxiety we may have about being animals.

In addition, the production of a branched narrative is far more timely and costly, which can be prohibitive in scaling these projects beyond the occasional "special episode".

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