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As for the look of his production, Ratmansky and his designer Richard Hudson have found a historical midpoint, taking inspiration from the production designed by Léon Bakst for Diaghilev's Ballets Russes' London season in 1921.
Directed by Mr. Luhrmann; production designed by Catherine Martin; music director and principal conductor, Constantine Kitsopoulos.
Herrin's production, designed by Max Jones with meticulous realism, is disturbingly well acted.
The answers, one hopes, will be revealed by Jeremy Herrin's production designed by Robert Innes Hopkins.
The production, designed by John Conklin, is directed by Leon Major.
Production designed by Mark Thompson; lighting by Howard Harrison; sound by Andrew Bruce and Bobby Aitken.
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Production design by Mr. Tomsic.
The production design by Ben Van Os is outstanding.
Music by Laura Karpman; production design by Chris Gorak Deron Fieldss, visual effects coordinator.
The production design, by Patrizia von Brandenstein, was rewarded with an Oscar.
The lovely all-white set is adapted from a production design by Mike Rancourt and Ms. Randich.
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CEO of Professional Science Editing for Scientists @ prosciediting.com