Sentence examples for process of sound from inspiring English sources

Embodied sound design is a process of sound creation that involves the designer's vocal apparatus and gestures.

Overall, this study confirms the interest of extending vibroacoustic studies to a more complete "psychomechanical" investigation of the whole process of sound generation.

Another auditory illusion was described in 1928 by Paul Thomas Young, an American psychologist, who tested the process of sound localization (the direction from which sound seems to come).

The HAP-RM model is based on the process of sound transfer and perception in the human auditory system by combining the structural filtering function and nonlinear perception characteristics of the ear.

To model the process of sound propagation between fluid and solid, the equivalent fluid model with effective density and bulk modulus is used to describe the sound wave propagation through porous sound absorptive material.

Binaural cues are mainly due to the comprehensive filter action of reflection, absorption, and attenuation in the transmission process of sound; thus, the sounds that arrive at humans' two ears are different from each other and also different with the original sound.

The presence of the frequency band gaps can help in the design process of effective sound filters or sound barriers that can selectively attenuate propagating wave signals of certain frequency contents.

Given the plasticity of data-driven methods, progressive user interactions could refine a model initially trained with generic data so that it could be used to process types of sound not considered previously.

Soundproofing, the process of reducing sound pressure via a noise barrier using damping structures, is a delicate art that requiring dexterous materials that prevent sound leakage both in and out of a structure.

What he loved was the iterative process of making sound by editing tape samples, or coaxing it out of early synthesizers, in a music-and-technology class.

The curators, Claire Staebler and Charles Carcopino, have invited 30 international artists into the cellars to explore the poetic process of making sound and transforming objects into instruments.