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The bit that was problematic was "Working Britain".
More problematic was the visible-bra effect from Mr. Saunders.
More problematic was the soprano Indra Thomas's Senta.
Most problematic was Yulia Grebenshchikova in the second ballerina role.
More problematic was the defense's ability to pick away at her credibility.
More problematic was Saimir Pirgu's aggressive Duke, occasionally effortful, short on poetry, a sexual bully rather than a seducer.
Also problematic was the need to explain that on stage she was still Will but in private she was Sarah.
Even more problematic was the matter of sourcing -- that is, getting one's hands on the requisite wig, mouche or train.
Far less problematic was Seltzer's fruitful collaboration with his friend Charlton Heston on seven films as producer.
One of the more problematic was the revelation that US spies tapped the German Chancellor Angela Merkel's personal mobile phone.
More problematic was a dislocated rib suffered in training which she warned could hamper her tilt at victory.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com