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Whether this is true, of course, is a problem of literary criticism.
Ostensibly devoted to the problem of literary translation, this provocative treatise rambles through the Western canon from Cervantes to Bellow, treating novelists less as subjects than as characters in a sprawling intercontinental epic.
This is not so much a problem of literary style – a few minutes' riffling though his works at random will confirm that Spenser has style in spades – as one of literary form.
"The canon was never at any point fixed but was always the result of a process of modernization of the curriculum," says John Guillory, an English professor at New York University and the author of "Cultural Capital, the Problem of Literary Canon Formation".
For John Guillory, an English professor at New York University and the author of "Cultural Capital: The Problem of Literary Canon Formation" (1993), "The major fact that the discipline is confronting today is global English, which is a cultural corollary of economic globalization".
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Until very recently, we were so lost (and at sea) in the fog of digital transformation that very few were willing to get to grips with the problem of online literary standards.
But, given that Parini did not visit Nin's archive, he might have spent more time with them, not only because of their tender closeup portrait of Vidal in his early twenties but because they help to solve the central problem of any literary biography: how to connect the life and the work.
The Synoptic problem is one of literary or of source criticism and deals with the written sources after compilation and redaction.
This evaluation poses a problem for literary history, because Ackroyd is the most recent translator of "The Canterbury Tales".
Alongside the fascinating problem of England's literary inferiority complex, both American and British writers need to confront our automatic tendency to measure the worth of a work of fiction with a scale and a tape measure.
(Heinrichs, who was at the time his study was published one of the few Islamic scholars specializing in the study of literary problems, showed that Classical Arabic criticism rarely interested itself in the poem as a whole but concentrated upon individual verses).
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