Sentence examples for problem of character from inspiring English sources

It's either about a problem of character that divides the two people or it's a problem of class.

The solution to the problem of character ambiguity, adopted about 213 bc (during the reign of the first Qin emperor, Shihuangdi), was to distinguish two words having the same sound and represented by the same graph by adding another graph to give a clue to the meaning of the particular word intended.

It could only be a "problem of courage" ("Maybe the French and Germans are simply not brave enough to confront Saddam") or a "problem of character" (They "understand the risk" but "would rather see American men and women…dying to protect their safety").

It will really help with preventing STDs and infections, but you won't cure this problem of character".

Integration of paleontological data will be crucial for solving the problem of character polarity within Chelicerata - and hopefully arachnid monophyly too - but this goes beyond the scope of the present study.

"Gunsmoke" means much less to young people than it once did, and visits have levelled off at 100,000 a year.Laying claimIn the best traditions of pilgrim promotion everywhere, several mid-western small towns have neatly handled the problem of characters without birthplaces or films set in a familiar nowhere.

On the basis of the recognized invoice type, real invoice form is re-oriented against the corresponding blank form according to the invoice-type feature, solving the problem of adhesion of characters and form lines, as well as the problem of characters segmentation and recognition.

Plus, every decade or two there is some big company-wide event to rearrange the timeline and canon etc, due to the problem of characters not aging normally in serial endless storytelling.

A brutal Obama spot set the Republican's tuneless warbling against captions about his overseas bank accounts and foreign investments, and was broadcast on television no fewer than 13,000 times.But many candidates were hindered less by gotcha politics than by problems of character.

Ōe continued to investigate the problems of characters who feel alienated from establishment conformity and the materialism of postwar Japan's consumer-oriented society.

This paper addresses the problem of cognitive character animation.