Sentence examples for privileged sense from inspiring English sources

As readers of these books, we are presented with a variety of views, of competing versions of a story, as well as a privileged sense of intimacy.

She is owning that Glambot," you have the thrilling and privileged sense of being right at the heart of the crucible in which our language is forged and reborn.

In the first place he also argues that there must be some privileged sense of rotation, and hence not all relative motions are equal.

But similar issues circulate through the different contexts: is there any kind of privileged sense of motion, a sense in which things can be said to move or not, not just relative to this or that reference body, but 'truly'truly

According to this reading, Newton's point is that his mechanics — unlike Descartes' — could explain why the surface of the rotating water is curved, that his explanation involves a privileged sense of rotation, and that absent an alternative hypothesis about its relative nature, we should accept absolute space.

What we see here is that Descartes, despite holding motion to be the motion of bodies relative to one another, also held there to be a privileged sense of motion; in a terminology sometimes employed by writers of the period, he held there to be a sense of 'true motion', over and above the merely relative motions.

That is, exactly what is needed to make the rules consistent is the kind of privileged, true, sense of motion provided by Descartes' second definition.

On the other hand, Mach is quite correct that Newton's argument in the Scholium leaves open the logical possibility that the privileged, true sense of rotation (and acceleration more generally) is some species of relative motion; if not motion properly speaking, then relative to the fixed stars perhaps.

Embrace a conspiracy theory and suddenly you're part of a gang sharing privileged information; your sense of power and dignity rises a smidgen and this troublesome world makes more sense, for a time.

Rattle worked with Treliński where he could, building to some climaxes with a halting, noir-like approach – whereas James Levine might have privileged a greater sense of flow.

In pieces like this Picasso seems to favor intriguing shapes over cohesive forms, the way his friend Gertrude Stein privileged sound over sense in "Tender Buttons," which was written the year before this collage was made.