Sentence examples for principles of perception from inspiring English sources

This aligns with principles of perception and supports 'at a glance' understanding of what is being expressed.

Such interests informed his personal understanding of the power of the visual in interpreting ideas, and underpinning principles of perception and visual logic.

There are more than 600 exhibits, but the emphasis remains on the laws of physics and motion, elementary principles of perception, and elegantly designed machines that conceal nothing.

We derive viewing transformations from some basic principles of perception of pictures rather than by modeling a particular physical process of picture generation.

The discussion in this chapter indicates that training in creativity, analogical reasoning, rational thinking, and/or the principles of perception and cognition can increase skill in these areas.

The material has been selected both to expose students to the study of brain and cognitive sciences and to engage those already within the neuroscience community in art production as a means to explore and visualize the principles of perception.

The Cognitive Theory of Multimedia Learning and the Three Principles of Perceptions, which include Figure/Ground Perceptions, Hierarchy Perceptions, and Gestalt Perceptions [ 29], were used to develop the IC educational tool.

This sly wordplay refers both to the Gestalt principle of perception that is a tenet of art training and to the fact that Mr. Fischl's focus -- in paintings, photography, drawings and sculpture -- is the human body, while Ms. Gornik's is landscape.

NORTH HAVEN - APRIL GORNIK and Eric Fischl like to joke that their marriage is a "figure/ground relationship". This sly wordplay refers both to the Gestalt principle of perception that is a tenet of art training and to the fact that Mr. Fischl's focus -- in paintings, photography, drawings and sculpture -- is the human body, while Ms. Gornik's is landscape.

APRIL GORNIK and Eric Fischl like to joke that their marriage is a "figure/ground relationship". This sly wordplay refers both to the Gestalt principle of perception that is a tenet of art training and to the fact that Mr. Fischl's focus -- in paintings, photography, drawings and sculpture -- is the human body, while Ms. Gornik's is landscape.

Second, a basic principle of perception (the Gestalt principle of good continuation; Kellman [2000]) leads people to interpret a continuous line as a single entity.